Wow! What a week already! And it’s only Tuesday!
I’d like to start by thanking the winning bidder of the Codex Staff that Felicia Day and I made in my first video blog. The auction closed at an astounding $5,319.00! The full amount went to the Red Cross to help in the effort to aid Haiti, Chile, and other places around the world that have suffered from recent natural disasters.
This image is one of the reasons I decided to write this blog tonight. I was looking through some photos earlier today, and came across this. That’s a very early rough sculpture of Labou, strapped into my jeep for one of the first meetings with potential financiers. As with most of my writing, I usually lock onto several visuals within the story and start developing them visually as I am putting the words onto paper. The physical realization of the elements in the story help me wrap my mind around what I am trying to say, and usually help me understand the characters and setting better. They also help others understand what’s in my head, hence why Labou is going for a ride!
Photo #2: BFFs
I know, that’s a ridiculous caption, but its true. The story of Labou is about friendship, and it got made because of friendship. That’s Sheri Bryant, my actual best friend in the world. She is also my producing partner. We have a company together, Dog & Rooster Productions. We met at San Diego Comicon many moons ago, and we share a common geek interest in all things alien, futuristic, and cartoon. We have stacks of scripts and stories to produce, but when we put our heads together and tried to boil down what elements really made us respond to the movies we loved as kids, Labou was the end result.
Photo #3: Producer Rooster
Sheri studied business at Stanford, so she is obviously the brains of the group! (I got a t-shirt from the gift shop there once. But I don’t think that qualifies for anything) While I wrote the script and started designing the look of the film, Sheri wrote the business plan and created a strategy for getting the movie made, and more importantly, SOLD!
Photo #5: Suiting up
There are so many components to putting together a feature film. What I’ve learned is that each next part is the hardest part! Coming up with a winning idea seems so hard, until you begin writing the script, which you tell yourself will be the biggest hurdle. But it pales in comparison to raising the money, which seems easy when you haven’t slept more than a few hours during 20 days of production, which becomes child’s play in the eye of the distribution deal storm. To make it worse, a good friend and famous director once told me, “By the end of a production, you learn everything you should have known to do that movie better, and none of it will apply to your next film!” Unfortunately, he was right! Fortunately, that doesn’t stop Sheri and I from making more movies. There is always more to learn, and greater challenges to take on. But working with Sheri and our amazing team always makes it worthwhile. I couldn’t imagine doing a movie without her. Here we are with Zack Ward, suited up in the desert . But that’s another story…
I don’t think there will be any way I could ever say thank you enough to Mr. TG Solomon. He was the gentleman that financed Labou. He wrote the check and let Sheri and I do our thing, and for that I will be eternally grateful. TG loved visiting the set and socializing with the cast and crew. Here he is with Kelson Henderson, in character as Clayton LeRouge.
With money in the bank and a script in hand, the next step for me was to finish Labou himself. Wow, my studio looks empty and clean here. It’s kind of freaking me out…
Photo #8: Parting Lines
Photo #9: Whistling Dixie!
Labou communicates through whistling. I wanted his whistle face to be very distinct, so John Criswell suggested that I have a separate “whistle head”. Here’s the sculpt in progress.
To make sure Labou’s whistle lips were right, I had a very dear friend model for me. Can anyone guess whose lips are whistling in this photo?
Photo #11: The Eyes Have It
Here is the prototype Labou almost completely assembled. I used this model to help me keep all the various versions of puppets looking uniform. This fiberglass copy still sits in the main room of BarnYard FX. Maybe one of these days I’ll give you a tour!
Photo #13: It’s A Sign!
We are finally in New Orleans. Well, at least Sheri and I are! The first big hurdle is to set up a functioning production office. We were lucky enough to get space at the Nims Center, New Orleans’s largest production facility. I remember having butterflies in my stomach as I took this photo of Sheri putting our production company name on the marquee. It was finally all real! We were making a movie!
Photo #14: Drew drew that!
Speaking of butterflies, as I was setting up my office, I got this piece of artwork in the mail. Drew Struzan had done this for a prop in the film, but it was first used as a sign on my door. If I had ever dreamed a dream, this was it.
Photo #15: The ONE Sheet
Drew also did the original poster for Labou. This is kind of skipping to the end of the filmmaking process, but I was excited to show you since I already brought him up! I will hold back from what I want to say about Drew Struzan until I can give him his proper forum. I could do a whole series of blogs on this man and his art and still not cover everything I would want to. In short, Drew is a great friend, the most amazing artist I have ever seen, and the single most influential person in my life. I have known Drew personally for more than half my life now, but his art inspired me to take the path I chose even a decade before that. Drew has the uncanny ability to capture all of the excitement, emotion, and splendor of a 2-hour film in a single, perfectly composed image. I consider the quality of his art to be my brass ring, and although I may never be able to grab it myself, it is just as satisfying to sit and stare at it and warm in its brilliance.
Back in the Crescent City, Sheri and I started scouting for possible locations. It was hot! Like 100 degrees, 98% humidity hot! We had to comb through the city to find all of the different sets, and locations that looked like locations we wanted but couldn’t shoot at. For instance, we needed a city hall for all the stuff with the mayor. Although we actually had the REAL mayor, we couldn’t use the real city hall. There was too much traffic and business going on. We ended up shooting at Gallier Hall, an old courthouse on Poydras St. I liked the look of the giant columns out front, and the statues of Justice on the stairs.
We also had to spend a lot of time outside the city, scouting the swamps and bayous. There is a lot of wildlife out there! A lot of wildlife that wants to eat you! And it’s not even the big things, like alligators, that are the creepiest! These Banana spiders were my personal phobia. Sheri discovered she was allergic to mosquitoes! And, man, did they love her!
No, not a spelling error. That’s Dave Blass. If anyone is responsible for me being alive today, it’s Dave Blass! We have know each other for a very, very long time, and Dave has been one of the biggest supporters of my career. He got me my first professional directing gig. He has kept projects flowing through the BarnYard continuously for 15 years. When you look at my IMDB and go, wow, that guy’s worked on a lot of stuff!, most of those projects were by recommendation of Dave Blass. And how do I repay such a great friend? By dragging him down to New Orleans for a fun filled art directing adventure featuring swamps, heat stroke, mosquitoes, and hurricanes! In this photo, Dave is very intrigued by an alligator. Later that summer, when Dave accidentally found himself chest deep in a swamp, the tables had turned. I still so owe you!
Sheri found a critter of her own in the swamps. I love this photo. We had so much fun with that raccoon. He was super playful, and made a habit of sleeping ON my head while I walked around. I felt like Daniel Boone. I really wanted to take him back to the BarnYard, but raccoons like to, well, break things. I had flashes of him getting into my MOC original Star Wars 12 back case, and decided he was better of in the wild were he belonged. But, in the meantime, he was very inspirational in terms of movement study for Labou!
Photo #19: In the Bag
Marissa rocked the part of Emily, and the role brought her a lot of attention. She moved to LA to pursue her acting career full time, and I am thrilled to be able to still be a part of it. Marissa has acted in several of my other projects, and not always as the sassy teenager. Here she is in a costume fitting for the 100 year old Alien Shaman from Battle Planet. You would never guess it was her!
Every story has a villain, and in Labou, there is LeRouge. Captain LeRouge! He is a pirate, sailing the seven seas in search of heirlooms stolen from his family generations ago. Unfortunately, his journey comes to an untimely end. He is forced to haunt the bayous of Louisiana, trying to prevent others from stealing his treasure. I wanted the pirate to have a familiar yet unique look. Costumer Pam Robertson crafted these brilliant costumes for us. One hero, one to be distressed for the “ghost” look. Kinda broke my heart to tear it up!
Where there are pirates, there be treasure. I wanted a very specific looking treasure, something harking back to Disney’s pirate ride. Yes, there actually was a ride before there was a movie. And when I was a kid, seeing those skeletons sitting on piles of gold and gems was the most amazing thing in the world. None of the prop houses had exactly what I wanted, so in typical BarnYard fashion, we made it! Here’s Scot creating some giant gemstones. He ended up making a few hundred of them. They looked amazing. The kids actually thought they were real!
The other villains in the story are oil tycoons trying to tear down the swamps for a refinery. I knew we would never see the refinery for real, but I wanted to sell how ominous it would be if it ever got built. I had this idea that it would be like a giant metal spider, with legs sticking out everywhere, and a skull made of pipes for a face. I decided to make a “presentation model” of it for the scene in the mayor’s office. Timothy Lee Depriest came in and helped me make it. It had tons of animated parts, and smoke puffed out of the stacks!
Yeah, that’s Labou and me. We both look pretty happy. For the moment! Wait till you see the photos from the next week! This is two days before filming. I was running some mechanical tests on this stand up puppet before spending the next 40 hours painting all of the Labous.
We finally start filming. For most of the Labou shots in the film, I would control Labou’s body, and Sheri would puppeteer his face. Being that hands-on is the best part of this kind of filmmaking. I couldn’t imagine being behind a desk and just filtering and relaying information about a project. I like being in the trenches, making the film frame by frame, and I love that my producer is there with me!
That’s Adam Lawson, my A.D. When he looks at his watch like that, it means it’s time to go! So, on that note, I will leave the rest of the story to future Labou entries. Believe me, this is just the set up to what becomes a very interesting story! And if you haven’t seen the movie yet, click on the image below and get a copy! Or go to the Labou stuff link to the right and buy some merchandise. It will be like my birthday present!
